As the music for a rumba has 646-204 a slower tempo, steps can afford to be fractionally bigger than in Cha cha, for dramatic effect. This should not be overdone, as it can still lead to a dancer chasing the music, but looks effective is correctly achieved.
There is also time for side steps to be developed more. Instead of taking a side step directly onto the ball of the foot, there 650-393 is sufficient time to roll onto this from the inside edge of it, creating a softer, more sensual dance. Legs
Again, legs are kept straight as much as possible throughout this dance. Tone in the leg, and a pointed foot are what create the sexuality of this dance from the waist down, and this is particularly important with 70-236 the side step mentioned above. If the tone is not maintained, it can look as though the foot has become sprained, and this is unattractive.
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